GE-7

Equalizer

Essential Tone Sculptor

The classic GE-7 Equalizer is a pedalboard staple for precise tone sculpting. With seven frequency bands optimized for guitar, this essential utility tool allows you to instantly refine your sound and overcome tonal obstacles while performing. The independent level control boosts or cuts the overall signal, offering extended versatility. From enhancing the character of guitars, amps, and pedals to tackling feedback and problem frequencies, the GE-7 does it all.

Features

• Compact graphic equalizer pedal with seven independently adjustable bands
• Guitar-optimized frequencies: 100 Hz, 200 Hz, 400 Hz, 800 Hz, 1.6 kHz, 3.2 kHz, and 6.4 kHz
• Maximum tonal flexibility with ±15 dB boost/cut per band
• Level slider for balancing the overall volume or boosting the sound
• BOSS five-year warranty

Precision Tone Shaping

The GE-7’s intuitive graphic equalization circuit makes it easy to adjust your sound in the moment, whether reducing rumble, adding low-end warmth, boosting midrange to cut through the mix, or bringing sparkle to the highs. The first six bands (100 Hz to 3.2 kHz) feature peaking filters for precise control at specific frequencies, while the 6.4 kHz slider employs a shelving filter for smooth treble adjustments.

From Subtle to Striking

With a ±15 dB range of adjustment per frequency band, the GE-7 provides all the scope you need to carve out your unique voice, from gentle enhancements to radically altered tones. The level slider also provides a ±15 dB range, allowing you to balance the overall volume with the bypassed signal and use the pedal as a clean boost.

Endless Sonic Possibilities

The versatile GE-7 excels in many applications. Use it to enhance and balance the sound of your guitar pickups. Place it before overdrive and distortion pedals to dramatically reshape their voices, affecting both the tonal curve and the drive characteristics of different frequency ranges. Or use it as a compact preamp for an acoustic/electric guitar, sweetening the tone and reducing frequencies that can trigger feedback on stage.